{"id":206,"date":"2022-12-12T17:14:29","date_gmt":"2022-12-12T23:14:29","guid":{"rendered":"https:\/\/magdalenamartinezfranco.com\/sitio\/?page_id=206"},"modified":"2023-09-14T20:12:22","modified_gmt":"2023-09-15T02:12:22","slug":"contrapartes","status":"publish","type":"page","link":"https:\/\/magdalenamartinezfranco.com\/sitio\/contrapartes\/","title":{"rendered":"Contrapartes"},"content":{"rendered":"<body><p>[et_pb_section fb_built=\u201d1\u2033 admin_label=\u201dHeader\u201d _builder_version=\u201d4.17.3\u2033 _module_preset=\u201ddefault\u201d background_color=\u201d#F6F5EE\u201d collapsed=\u201doff\u201d global_colors_info=\u201d{}\u201d][et_pb_row _builder_version=\u201d4.19.2\u2033 _module_preset=\u201ddefault\u201d global_colors_info=\u201d{}\u201d][et_pb_column type=\u201d4_4\u2033 _builder_version=\u201d4.19.2\u2033 _module_preset=\u201ddefault\u201d global_colors_info=\u201d{}\u201d][et_pb_text _builder_version=\u201d4.19.2\u2033 _module_preset=\u201de6504a1b-67eb-4b3d-b023-bcab277610b6\u2033 header_4_font=\u201dInter|700||on|||||\u201d header_4_text_color=\u201d#FF5A17\u2033 header_4_font_size=\u201d14px\u201d header_4_letter_spacing=\u201d1px\u201d header_4_line_height=\u201d1.4em\u201d custom_margin=\u201d||0px||false|false\u201d global_colors_info=\u201d{}\u201d]<\/p>\n<h4>OBRA<\/h4>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u201d4.19.5\u2033 _module_preset=\u201dc16985e1-e0d6-4022-964d-e2bfc04fa633\u2033 header_font=\u201dInter|700|||||||\u201d header_text_color=\u201d#000000\u2033 header_font_size=\u201d75px\u201d header_line_height=\u201d1.2em\u201d header_font_size_tablet=\u201d40px\u201d header_font_size_phone=\u201d24px\u201d header_font_size_last_edited=\u201don|desktop\u201d global_colors_info=\u201d{}\u201d]<\/p>\n<h2>Contrapartes<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u201d4.19.2\u2033 _module_preset=\u201d1f09816e-184e-4ce5-a4cf-b39c52c423ca\u201d text_font=\u201dOpen Sans||||||||\u201d text_text_color=\u201d#000000\u2033 text_font_size=\u201d16px\u201d text_line_height=\u201d1.8em\u201d custom_padding=\u201d0px|||||\u201d text_font_size_tablet=\u201d15px\u201d text_font_size_phone=\u201d14px\u201d text_font_size_last_edited=\u201don|phone\u201d header_font_size_tablet=\u201d55px\u201d header_font_size_last_edited=\u201doff|desktop\u201d global_colors_info=\u201d{}\u201d]<\/p>\n<p class=\"p1\"><strong>Instalaci\u00f3n (2019)<\/strong><\/p>\n<p class=\"p1\">En esta pieza traslado a un plano bidimensional las esculturas que integran la serie <i>Formas blandas<\/i> (1993); la cual permite separar las piezas de su base, para encontrar en \u00e9sta su contraparte, a trav\u00e9s del tacto o de la vista.<\/p>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=\u201d217,218,216,221,219\u2033 fullwidth=\u201don\u201d _builder_version=\u201d4.22.1\u2033 _module_preset=\u201ddefault\u201d global_colors_info=\u201d{}\u201d][\/et_pb_gallery][et_pb_text _builder_version=\u201d4.19.2\u2033 _module_preset=\u201d1f09816e-184e-4ce5-a4cf-b39c52c423ca\u201d text_font=\u201dOpen Sans||||||||\u201d text_text_color=\u201d#000000\u2033 text_font_size=\u201d16px\u201d text_line_height=\u201d1.8em\u201d custom_padding=\u201d0px|||||\u201d text_font_size_tablet=\u201d15px\u201d text_font_size_phone=\u201d14px\u201d text_font_size_last_edited=\u201don|phone\u201d header_font_size_tablet=\u201d55px\u201d header_font_size_last_edited=\u201doff|desktop\u201d global_colors_info=\u201d{}\u201d]<\/p>\n<p class=\"p1\">Con una escala distinta, la instalaci\u00f3n visual y t\u00e1ctil, toma las siluetas de las esculturas sobre su base, y mantiene las formas y ausencias de forma o vac\u00edos, que tambi\u00e9n constituyen un aspecto esencial de la serie escult\u00f3rica original.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u201d1_2,1_2\u2033 _builder_version=\u201d4.19.2\u2033 _module_preset=\u201ddefault\u201d global_colors_info=\u201d{}\u201d][et_pb_column type=\u201d1_2\u2033 _builder_version=\u201d4.19.2\u2033 _module_preset=\u201ddefault\u201d global_colors_info=\u201d{}\u201d][\/et_pb_column][et_pb_column type=\u201d1_2\u2033 _builder_version=\u201d4.19.2\u2033 _module_preset=\u201ddefault\u201d global_colors_info=\u201d{}\u201d][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>En esta pieza traslado a un plano bidimensional las esculturas que integran la serie Formas blandas (1993); esta serie permite separar las piezas de su base, para encontrar en \u00e9sta su contraparte, a trav\u00e9s del tacto de la vista.<\/p>\n","protected":false},"author":1,"featured_media":219,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-206","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/pages\/206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":9,"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/pages\/206\/revisions"}],"predecessor-version":[{"id":715,"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/pages\/206\/revisions\/715"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/media\/219"}],"wp:attachment":[{"href":"https:\/\/magdalenamartinezfranco.com\/sitio\/wp-json\/wp\/v2\/media?parent=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}